For centuries the turf house was the only type of building in Iceland.
However, few people would have lived in the many-gabled turf houses preserved
on several of Icelands bigger farms. The tenant farmers abodes in remoter
parts of the country had little in common with these buildings. Some of the
first travellers visiting Iceland describe buildings that give some idea of the
poor mans home. About fifty years after witchcraft cases were discontinued two Icelanders
toured the whole of the country and wrote a book about their travels. Buildings
were of no special interest to them (as opposed to foreigners who wrote about
their visits in the 18th and 19th centuries), but they mention that the worst
buildings are to be found in the seasonal fishing stations. The following
quotation is from a chapter about the driftwood on Strandir.
Though the men of Strandir are excellent woodworkers and coopers their
houses are so badly constructed, especially in the northernmost parts, north of
Trkyllisvk, that they must be the worst in the country. When a house falls
down they build a new one in a day. The simply stack several logs on top of each
other and then shovel turf and earth at these wall so they dont fall
down.Several logs are laid across the walls and the roof built on them. Short
bits of driftwood are then laid on the rafters, then turf, sweaweed, and finally
stones so the whole lot wont blow away. They waste the wood in much the same
way that our ancestors did the woodlands.
This way of building was probably not used in Bjarnarfjörur since
land-locked farms had no right to the driftwood. Instead, while the bottom of
the valley was all wetlands and bogs, there was plenty of good turf for building
and it must be assumed that the poor tenants used material that was close at
hand. In Bjarnarfjörur turf was used for building well into the 20th century, a
late and good example being the great circular sheepfold at Skar which is still
used.
Stone is used for the foundation of the Sorcerers Cottage while the walls
are built with klambra, turf blocks cut in a certain way and laid in a
herring-bone pattern with strips of turf between the layers. Extra large blocks
of turf were used on the end of walls and on corners to ensure
stability.
Each part of the cottage has a different kind of timber frame made from
uncut driftwood logs. On top of the rafters driftwood is used, either short logs
split like firewood, outer boards, or short and wide driftwood bits cut into
shingles, all with several layers of turf on top, the middle thickest and cut in
a special way.
Three adjacent buildings house the exhibition, two of them are the tenants
home, the first a combination storehouse and kitchen and the second with the
living quarters and room for some livestock. The final part is an addition
dedicated to bits from the history and legends of the region.
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